Lousy source material is lousy source material, no matter who you get to try to spruce it up. Summit Entertaiment is apparently unaware of this though, as they have now officially signed on director David Slade (of 30 Days of Night and Hard Candy previously) to helm the third film in the Twilight saga, Eclipse. This is following an earlier offer that had gone out to director Juan Antonio Bayona (The Orphanage), which he thankfully turned down.
And when I say 'thankfully', what I should be saying is 'unsurprisingly'. Because why the hell wouldn't he turn the offer down? The Twilight book series is nothing more than the result of one sad, slightly overweight middle-aged Mormon woman's overly elaborate and depressing erotic fantasy, which was then marketed to little girls and topped off with a nice big helping of 'shit' and 'fail' in the storytelling department. No self-respecting filmmaker with that much talent would ever subject themself to such a depressing career low by actually agreeing to bring something like that to the big screen.
Or so I thought.
30 Days of Night may not have been the most satisfying directorial follow-up to an impressive debut, but it did confirm what we had already suspected after Hard Candy, proving that David Slade has a unique style all his own and all he needs is a strong script to help utilize it. (So much for that, eh?) And issues aside, it's undeniably superior to Twilight in literally every way. At least it has actual vampires in it. The same cannot be said for Stephanie Meyer's shameful abortion of the vampire mythology. Let's compare:
The decision-making process here is puzzling to me. Why would Slade want to go from a hard-R vampire horror flick to girly, homoerotic pre-teen vampire fantasy bullshit? Is he really that desperate for a paycheck?
Whatever the answer, David Slade is so much better than this, and no amount of talent in the director's chair is going to make something as horribly written and downright laughable as the Twlight series into decent cinema.
Summit clearly thinks otherwise though, so instead of hiring on some cheap, talentless hacks to assist them in continuing their latest (and maybe only) cash cow, they've been looking toward up-and-coming indie directors with a keen visual sense and an ability to work on the cheap. Normally I'd be encouraging this type of behaivor from studios, as it's very rare to see anyone in Hollywood actively seek out creative filmmakers who haven't yet found massive box-office success. But given that the films in question are in fact part of the Twilight saga, my response instead is this:
Stop.
Please, fucking stop.
You've already got David Slade. Isn't that enough? I beg of you, don't disgrace the names of anymore talented directors. It's not like it's going to make a difference. The films will suck either way. And the fans won't even notice. They'll be too dusy drooling over Robert Pattinson's sparkly "vampire" cock. You realize that, right? Your audience doesn't care about quality filmmaking or good storytelling. They just want silly forbidden romances and passionate vampire make-out sessions. Give them that, and they'll be happy. Meanwhile, you won't piss off the people who actually care about the shame that's guaranteed to befall any filmmakers when it turns out they in fact can't turn a dried-up piece of dog shit into a delicious ice cream sundae. Sure, you can have them cover it in chocolate syrup, but it's still gonna taste like dog shit.
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12 Comments
Disappointed
Uhh...
Silly
I finally mustered the courage to watch the movie the other week and for some reason was conscious of the fact they kept their faces 3 inches apart without actually moving any closer, in multiple scenes no less.
So I started keeping track of how far into the movie before this "romance" story culminated into any semblance of a kiss.
1 hour, 25 minutes.
I hope vampires can't get blue balls. Oh wait, Meyer could just make that shit up anwyays.
This is the worst news I
Whats with the hate??
We're not discussing some
We're not discussing some highly subjective series here. There's a reason why Twilight appeals strictly to a very specific demographic, and that's because it has no redeeming qualities to make it a worthwhile viewing experience for anyone that isn't 13 and a girl. And let's be honest, 13 year old girls aren't the most discerning of moviegoers. It's hardly an insult to say that the Twilight fanbase cares less about intellectually stimulating narratives and more about hopeless romanticism.
You don't need somebody like David Slade to deliver that, and it pisses me off that his time is being wasted on something so stupid and inconsequential. No, he wasn't forced to accept the offer, but considering that Summit was making an active effort to find some talented up-and-coming indie filmmaker to helm the next entry in the series, somebody was bound to accept it eventually. And no matter who it might've been to take the plunge, I would still feel the same as I do right now.
Blaming a guy for trying to make a living is hard. Blaming a studio for wasting the talents (and possibly ruining the career) of any indie filmmaker willing to accept their offer is easy.
You are kidding me right?
A little touchy, are
A little touchy, are we?
First off, there's a reason why the Twilight series only appeals to the 15-year-old girl demographic: because it's not good. It's geared toward an audience that cares more about hot guys and forbidden romances than strong storytelling or compelling characters.
Secondly, David Slade didn't apply for the job. He was sought out by the studio.
Third, if a director hasn't yet established himself as a bankable filmmaker, any movie he makes can and usually will have a substantial effect on the rest of his career.
Fourth, just because a franchise is successful, that doesn't mean it's good.
Lastly, your wife likes shitty movies.
Silver lining?
WTF?
Chill Out
I firstly read the book (
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